Love Actually at 20: Are we still in love with the controversial Christmas classic?

As the washed-up rock star Billy Mack, portrayed by Bill Nighy, finally conquers the lyrics to the festive rendition of Love is All Around (aptly transformed into Christmas is All Around), he comes to the realization of the song’s dreadful nature. His grinning manager concurs, labeling it “solid-gold” rubbish. This sets the stage for Love Actually, a two-hour whirlwind of improbable, questionable, and outright absurd love scenes featuring a star-studded cast.

While the world has progressed beyond dial-up internet, Apple’s iPod, and low-rise jeans, Richard Curtis’s 2003 festive drama endures as a Christmas classic, albeit one laden with controversy. The interlinked romantic narratives of middle-class characters professing their love during the Christmas season receive an annual critique for their unrealistic portrayals, questionable character decisions, and outdated jokes.

Few critics are as outspoken as Curtis himself, who annually adds new regrets to his list. During a cast reunion last year, the writer and director acknowledged the film’s potential to feel out of date, expressing discomfort with the lack of diversity. Curtis has also criticized himself for including fat-shaming jokes that are no longer funny and lamented cutting an LGBT storyline from the final edit.

Despite the misjudgments and gaffes, Love Actually offers what many viewers seek in a festive film: easy viewing, a cozy Christmas setting, and an unabashed celebration of love. Film critic Helen O’Hara emphasizes that Christmas movies don’t need to be masterpieces with great social politics; cheesy romances are acceptable. The film’s incredible cast, memorable moments, and humorous gags help viewers overlook its flaws, providing a nostalgic glow when watched today.

While the amount of genuine love in the film may be debatable, the over-the-top, saccharine, and ludicrous gestures of love contribute to its enjoyment. Scenes like the prime minister taking a police escort to declare love on Christmas Eve or someone professing their love via A3 cue cards are iconic, if slightly unhinged, moments that continue to resonate.

The film’s longevity is attributed to its connection with Christmas. At other times of the year, audiences might be more critical of its naff storylines, schmaltzy acts of love, and outdated jokes. However, during Christmas, viewers allow themselves to be captivated by Hugh Grant’s earnest optimism that “love, actually, is all around.” Even those who harbor a love-hate relationship with the film find it easy to be swept up in the festive spirit and feel-good factor, especially while indulging in mince pies and wrapping presents.