Banksy’s urban tree artwork was defaced with white paint, discovered by a dog walker who found fencing around the mural, with white paint strewn over it.
A dog walker spotted fencing around the Banksy mural, which also has white paint strewn over it.
Over the weekend, a new artwork emerged featuring extensive green paint on a wall behind a nearby tree, creating the illusion of leaves. However, by Wednesday morning, the piece, enclosed by a protective metal barrier, had been vandalized with white paint.
Islington Council announced plans to install CCTV cameras and explore additional measures to safeguard the artwork. A spokesperson expressed the council’s appreciation for the piece, emphasizing their desire for its preservation.
“This statement underscores the significance of trees in our communities and their crucial role in addressing the climate crisis, as depicted in this powerful artwork. It’s disheartening to see it defaced.
Upon the mural’s initial unveiling, we promptly implemented temporary measures, including fencing and park patrol officer visits, to safeguard it and manage the crowds.
Discussions are underway with the homeowner regarding potential future solutions to ensure that everyone can appreciate the artwork.
On Monday, Banksy officially claimed ownership of the mural, settling speculation surrounding its origins after its installation on a building along Hornsey Road in Finsbury Park.”
Crowds of individuals flocked to admire the artwork, but according to local resident Matt McKenna, 35, who spoke to BBC London, he was walking his dog on Wednesday morning when he noticed the white paint covering the mural.
“It’s truly disappointing. It occurred overnight,” he remarked. “When it first appeared on Sunday, my partner noticed it and mentioned she rather liked it before it became the talk of the town.”
“Many people are discussing it, as it represents a lesser-known aspect of London that is sometimes overlooked. However, the individual behind the application of the white paint has yet to be identified.”
During a recent interview on the BBC podcast “The Banksy Story,” Joe Epstein, a graffiti artist affiliated with LDN Graffiti, elaborated on the dynamics within the graffiti community, highlighting the prevalence of “turf wars” where artists may engage in the defacement or removal of each other’s artwork. He emphasized that the evolution of these pieces often reflects the interactions they have with other artists, whether through additions, confrontations, or alliances.
The most recent piece by Banksy, like many of his works, has sparked debate and elicited a variety of opinions. Some conservation campaigners have expressed concerns, stating that the pruning of the tree chosen by Banksy was excessive.
The local authority clarified that the cherry tree selected by Banksy was between 40 and 50 years old and was experiencing a decline in health, characterized by decay and damage from fungi.
The council has affirmed its commitment to preserving the tree’s vitality and expects it to sprout anew throughout its upper branches.
The head of the firm tasked with trimming the tree to its current state on behalf of the council described their approach as employing an ancient pruning method called pollarding, which involves the removal of upper portions of the tree.
Lawrence-Thor Stephen, proprietor of Thor’s Trees, clarified that this technique is aimed at curbing the tree’s growth and preventing the shedding of weak branches. He expressed confidence in its effectiveness for extending the tree’s lifespan and anticipated a vigorous burst of growth come springtime.
The piece was a beautiful representation of nature and urban environments coming together, and now it’s been marred by senseless vandalism. It’s a stark reminder of the challenges faced by street artists and the transient nature of their work. Hopefully, this incident can shine a light on the importance of preserving and respecting street art. What are your thoughts on this? Let’s keep the conversation going!
Read More: Banksy: Council calls in police to find Peckham art worth up to £500,000
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